THE M WORD puts the most hallowed and fraught life relationship of all into the center of visual culture. Working through feminist ambivalence about motherhood (in all of its myriad and motley forms), this collection offers a crucial corrective to the dearth of discussions about life choices and living tensions for creative women in art and art discourse. With a range of key feminist artists, art historians, and theorists addressing topics from Mexican feminist art collectives to the Holocaust and mothering to queer mothering, this book presents a range of rigorous thinking in textual and visual form. In The M Word, maternity, as a state, an ideology, an “image,” becomes the perfect pivot through which to examine women imagining ourselves into the sometimes incompatible roles of caring, care-taking, thinking, and making.
—AMELIA JONES, Grierson Chair in Visual Culture, Department of Art History and Communication Studies, McGill University