Myrel Chernick

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    • 1976
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    • The M Word
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    • Maternal Metaphors catalog
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  • Home
  • About
  • Installations
    • Punchdrunk
    • Dangling Participles
    • Domestic Interventions
    • She was she wasn’t
    • Your Hands Are Tied
    • A Room Full of Women
    • Woman Mystery/Femme Mystère
    • Don’t Make Waves
    • Parts of Speech
    • Surprise
    • Opposite
    • Halfway there
    • Chills
    • She Paused
    • Blue Grotto
    • 1976
  • Videotapes
    • Esprit d’escalier
    • Sam Tanya 17
    • Out my window
    • She and I
    • Mommy Mommy
    • She was she wasn’t
  • Images
    • Paris Drawings
    • Photographs
  • Texts
    • The M Word
    • Time Passes
    • The Studio Visit
    • Maternal Metaphors catalog
    • Living With Cobwebs
  • Contact
Installations » Don’t Make Waves
  • She throws a curve. He swells. She waves. He feels an upsurge. She advances an impulse. He curves. She vacillates. He undulates. She varies periodically. The surface is ruffled.

  • He is on the downswing. He is broken. She was broken. He swells. She waves. She calms. He waved. She was on the downswing. He subsides. He was stormy. She calms.

  • He is on the downswing. He is broken. She was broken. He swells. She waves. She calms. He waved. She was on the downswing. He subsides. He was stormy. She calms.

  • Across the room stands the cube where the waves are isolated into single frames. Data is recorded here, but times, dates, cycles are incomplete. Around the back the sun sets on the same watery surface. The wave breaks in an infinite loop. Contrasting images and words create and question relationships between language, image and gender.

  • Across the room stands the cube where the waves are isolated into single frames. Data is recorded here, but times, dates, cycles are incomplete. Around the back the sun sets on the same watery surface. The wave breaks in an infinite loop. Contrasting images and words create and question relationships between language, image and gender.

1980

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