Myrel Chernick

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    • She was, she wasn’t French version
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    • Unfurling
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    • Mapping the Maternal: Art, Ethics and the Anthropocene
    • The M Word
    • Maternal Metaphors catalog
    • Time Passes
    • Living With Cobwebs
    • The Studio Visit
  • Contact
  • Home
  • About
  • Installations
    • Punchdrunk
    • Dangling Participles
    • Domestic Interventions
    • She was, she wasn’t
    • Your Hands Are Tied
    • A Room Full of Women
    • Woman Mystery/Femme Mystère
    • Don’t Make Waves
    • Parts of Speech
    • Surprise
    • Opposite
    • Halfway there
    • Chills
    • She Paused
    • Blue Grotto
    • 1976
  • Videotapes
    • Dangling Participles
    • Esprit d’escalier
    • Sam Tanya 17
    • Out my window
    • She and I
    • Mommy Mommy
    • She was, she wasn’t
    • She was, she wasn’t French version
  • Images
    • Trees
    • Maps
    • Water
    • Shadow forms
    • In the city
    • Unfurling
    • Photographs
  • Texts
    • Mapping the Maternal: Art, Ethics and the Anthropocene
    • The M Word
    • Maternal Metaphors catalog
    • Time Passes
    • Living With Cobwebs
    • The Studio Visit
  • Contact
Installations » Halfway there
  • She’s obdurate, angular and resilient. She dares to look.

  • She’s obdurate, angular and resilient. She dares to look.

This site specific work from 1978 integrates floor, walls and ceiling. Curved and flat surfaces of light and paper add angles and junctions within the existing space. Shadows become objects. Language exists formally, directing the reading and altering the surrounding space.

Spaces II, S.U.N.Y. College at Old Westbury, Old Westbury, New York

 

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